Francesco Gennari

B. 1973, Fano - Lives in Pesaro/Milan, Italy

"I am interested in the idea of constructing a great metaphysical landscape of which I am the centre and creator at the same time, it is a varied landscape, it is an ambiguous landscape because it is harmonious and at the same time full of contradictions. The Earth revolves around itself, the Earth revolves around the sun, entropy generates irreversible disorder, beetles fly, gin evaporates, mint syrup solidifies, life and death mark the times of becoming and I am always there to observe the world moving, matter transforming and my feelings changing continuously... The whole universe is material at my disposal. I think of an ideal system made up of many elements, I think of a set of works that arise from habits or things from my everyday life, such as my loden or my Clark's shoes, allowing me to represent what universally happens to each person, in short, starting from the relative to reach the absolute.” Francesco Gennari

Vorrei perdermi e non trovarmi più, 2023, nautical bronze, metallic sugar spheres, variable dimensions tending to infinity
Vorrei perdermi e non trovarmi più, 2022, nautical bronze, ice cream according to the artist's wishes, gin, variable dimensions tending to infinity
Comunque stiamo bene insieme, 2022, glazed ceramics, 3,7 × 110 × 7,4 cm
Autoritratto su menta (con camicia bianca), 2020, inkjet print on 100% cotton paper, in artist's walnut frame, 44 × 31,5 × 4 cm (framed)
Non sarà mai più come la prima volta, 2018, oil painted bronze, wax, dimension variable according to the subconscious of whom installs the artwork
Autoritratto a mezzogiorno, 2017-2020, Murano glass, midday sunlight, 450 × 2,5 × 2,5 cm
Autoritratto in un rapporto sadico con il Sole, 2023, inkjet print on 100% cotton paper, in artist's painted wooden frame, 43 × 30,7 × 4,2 cm (framed)
3,88%, 2018, back painted glass, steel, aluminum dibond, soil, six worms, six seeds, six spiders, 30 × 30 × 30 cm
Tutta la mia emotività sotto due nevicate, 2021, white statuary marble, cm. 10 × 50 × 63
Solo che...vorrei riempire il tempo di panna, 2021, enamelled ceramic, cm. 14,5 × 14,5 × 236
Autoritratto come equinozio di primavera (Self-portrait as spring equinox), 2020 Inkjet print on 100% cotton paper on dibond, in artist's painted wooden frame, cm. 43 x 29,3 x 4,2 (framed)
Sta arrivando il temporale, solo exhibition at GAMeC, Bergamo, 2019
Il tempo, la ripetizione, lo sguardo, 2019, cast bronze, various dimensions
Autoritratto su menta (con camicia bianca), 2020, inkjet print on 100% cotton paper, in artist's walnut frame, cm. 41,6 × 30,8 × 4
Come una farfalla (in montagna), 2018, natural cast bronze, cm. 94 x 64 x 7
Untitled, 2017, pencil on paper, in artist's frame, cm. 20,5 x 29,2; cm. 39,5 x 48 x 3
Mi sento quasi..., 2017, Murano glass, cm. 104 x 103 x 2,5
Un istante dopo (liscio o con una scorza d’arancia), 2010, black belgian marble, holy water, gin, orange peel, cm. 124,5 x 108 x 3
La Degenerazione di Parsifal (Natività), 2005-2010, flour, butterflies, stainless steel, variable dimensions tending towards the infinite
7, 2004, gelatin silver print, framed, cm. 14,2 x 12,8 (print) / cm. 33 x 34,5 (framed)
7, 2004, gelatin silver print, framed, cm. 12,5 x 13 (print) / cm. 33 x 32,5 (framed)
Tre colori per presentarmi al mondo, la mattina, 2014, hand casted Murano glass, cm. 132 x 116 x 4
NOI, 2015, Gold, silver, copper, brass, nickel, cm. 189 x 2,4 x 2,4
La forma del cielo nella mia casa, 2016, genuine bronze, cm. 16,5 x 7 x 1
Untitled, 2017, pencil on paper, in artist's frame, cm. 20,5 x 29,2
Sempre io, 2017, gold, silver, brass, nickel, cm. 2,2 x 2,2 x 290
7, 2004, gelatin silver print, framed, cm. 12,5 x 13,5 (print) / cm. 34,4 x 32,5 (framed)
Autoritratto con menta, 2007-2010, stainless steel, mint syrup, gin, cm. 142 ø x 3,5
Ma, non so in effetti quali siano realmente i miei sentimenti, 2009-2010, plexiglas, glass, black belgian marble, dimensions according to artist's emotivity, in three parts, each cm. 95,3 x 2,1 x 2,1