Zoe Williams

B. 1983, Salisbury - Lives in London

Sunday Fantasy, 2019, a film by Zoe Williams and Amy Gwatkin, starring Nadja Voorham and Deniz Unal, soundtrack David Aird, 31’24''
Green Fingers, 2019, hand glazed ceramic with metallic lustre, cm. 46 x 23 x 5
Green bum, 2019, hand glazed ceramic with platinum lustre, cm. 41 x 20 x 3
Ruffles, 2019, performative soirée at Riva Tunnel (Monte-Carlo) on the occasion of artmonte-carlo, April 2019
Sick baby fish head tureen, 2019, hand glazed ceramic, cm. 28 × 20 × 33
Lemon Heel, 2019, hand glazed ceramic with gold lustre, cm. 8 × 8 × 21
Rotten peach heel, 2019, fissured hand glazed ceramic with black lustre, cm. 9 × 8 × 25
Cranach's golden handshake, 2018, pencil and watercolours crayon on paper, in artist’s tinted walnut burr frame, cm. 33,5 x 26
Rose O, 2017, cast 9ct rose gold, cm. 2 x 0.5
Couple, 2016-2019, c-print on PVC banner, cm. 300 x 200
Ceremonyof the Void, 2017, '(X) A Fantasy', David Roberts Art Foundation Foundation, London
Ceremonyof the Void, 2017, '(X) A Fantasy', David Roberts Art Foundation Foundation, London
Ceremony of the Void Font, 2017, hand glazed ceramic, cm. 68 x 37
Village Baroque, 2016, baroque decorated celebration cake, various dimensions
Village Baroque Ashtray, 2016, glazed porcelain
Village Baroque Candle stick II, 2016, glazed porcelain
Snail Tracks, 2017, online commission for Opening Times: snailtracks.otdac.org
Village Baroque, 2016, oil pastels and oil paint on silk, vintage baroque mirror, bronze cast oyster shell, shell, cm. 320 x 137 (detail)
Village Baroque, 2016, oil pastels and oil paint on silk, vintage baroque mirror, bronze cast oyster shell, shell, cm. 320 x 137
Châteaux Double Wide, collaborative project between Zoe Williams and Urara Tsuchiya (ceramic on the left), Glasgow International, 2016
Châteaux Double Wide Series, 2016
Châteaux Double Wide Series, 2016
Baroque Fur Pit, 2016, oil on canvas, cm. 7,5 x 5,5 x 1
Gem 69, 2013, pigmented soap cast scented with grapefruit oil, cm. 15 x 15 x 1
Drench, 2012, HD Video with audio, 4' 57''
Eternal Bronzer Photoshoot, 2015, by Amy Stickland, Urara Tsuchiya and Zoe Williams. Photo credits to Amy Gwatkin.
Fleece Desire I, 2015, scraperboard, cm. 30,5 × 22,9
Baroque Tip, 2015, scraperboard, cm. 30,5 × 22,9
Cocktail III, collaborative project between Zoe Williams and Lucie Akerman, KARST, Plymouth, 2014
You Consume Me, 2013, curated photograph of Gem ‘Herakles and the Nemean lion, Graeco-Roman ringstone, 0-100', from the collection of Thorvaldsens Museum, in aluminum framed light box, cm. 42 x 29.7
The Golden O or Artefact I, 2010, 9ct cast gold, cm. 2 diam x 0,5
Platter I, 2010, silicone rubber, white cast plastic and azurite on maccasar ebony shelf, cm. 7 x 5
I Feel Love, 2013, HD video with audio, 1' 41''
Fur Constellation, 2014, c-Type-print, polished aluminum frame, cm. 101,5 x 67,8
Lashings, 2014, c-Type-print, polished aluminum frame, cm. 101,5 x 67,8
Movements in Love, 2015, lenticular print, chameleon painted frame, cm. 30 x 42 x 3,5
Sodden Echo, 2009, unfired porcelain, copper plate on ebonised plinth, cm. 15 x 10
The Flight of O, 2013, inlaid and lacquered panels set into an antique ebonized frame. Inlays consists of: Coral, mother of pearl, orange shell, reclaimed ivory, malachite, abalone shell, turquoise, lapis lazuli, cm. 230 x 400 x 2,5
Twist, 2013, c-type print on paper, aluminum frame, cm. 67 x 101
You Consume Me V, 2013, c-type print on paper, aluminum frame, cm. 67 x 101
Soft Fuck, 2011, lithograph print mounted in wenge wood frame, inlaid with pearl, coral, abalone, lapis lazuli, ivory, turquoise, cm. 49 × 30 × 1,5