Amber Andrews, Lisetta Carmi, Alina Chaiderov, Srijon Chowdhury, Leonardo Devito, Romane de Watteville, Kenny Dunkan, Garance Früh, Francesco Gennari, Ibuki Inoue, Daniel Jacoby, Piotr Makowski, Chalisée Naamani, Olve Sande, Sean Townley, Zoe Williams

Torino

Inauguration of the new Torino location
Bonheur du jour

10 Sep - 24 Oct 2026

Photographs: Sebastiano Pellion di Persano

Amber Andrews, Lisetta Carmi, Alina Chaiderov, Srijon Chowdhury, Leonardo Devito, Romane de Watteville, Kenny Dunkan, Garance Früh, Francesco Gennari, Ibuki Inoue, Daniel Jacoby, Chalisée Naamani, Olve Sande, Sean Townley, Zoe Williams

Please note that due to the historic and private nature of the venue, visitors are limited, and the building is not fully accessible to visitors with limited mobility. Access involves stairs, narrow elevator and other architectural constraints.

Si prega di notare che, data la natura storica e privata della struttura, il numero di visitatori è limitato e l’edificio non è completamente accessibile alle persone con mobilità ridotta. L’accesso comporta l’utilizzo di scale, di un ascensore stretto e la presenza di altri vincoli architettonici.

Francesco Gennari, Autoritratto su menta (con camicia bianca), 2023, inkjet print on 100% cotton paper, in artist's walnut frame, 44 × 31,5 × 4,2 cm (framed)
Zoe Williams, Sacred Spittle, 2026, cast bronze with polished natural finish, 9 × 5,5 × 4 cm
Zoe Williams, Butter bar (Study in Baroque aggression III), 2026, cast bronze with polished natural finish, 10 × 4 × 6 cm
Alina Chaiderov, Mother Form (II), 2024, chemical pipes, rubber, 33 × 30 × 33 cm
Sean Townley, CF/SG/SS, 2015, carbon fiber, epoxy, black sand, 226 × 55 × 15 cm
Olve Sande, Chaulks III, 2014, fireproof plasterboard, steel frame, 80 × 55 × 6 cm
Srijon Chowdhury, My Good Ear, 2022, oil on linen, 101,6 × 76,2 cm
Daniel Jacoby, Cathartes VIII, 2026, bronze, 26 × 35 × 0,4 cm
Alina Chaiderov, Trail, 2024, copper treads, rubber, wood, diptych 120 × 20 cm (each part)
Kenny Dunkan, HIGHER FREQUENCIES, 2026, canson Prestige Baryta II - 340 print, in artist’s Canaletto walnut frame, in two parts, each 102 × 76,5 × 4 cm (framed)
Garance Früh, Untitled, 2026, shoes, aluminun, 10 × 32 × 20 cm
Lisetta Carmi, I travestiti, 1965-1970, digital print (2017) on Hahnemüle Photo Rag Baryta paper, authenticated artist' signature “Lisetta Carmi” and artist' stamp on the verso, 44 × 44 × 3 cm (framed)
Garance Früh, Round and round, 2026, shoe, corset busk, wooden darning egg, 20 × 19 × 8 cm
Zoe Williams, Butter bar (Study in Baroque aggression II), 2026, cast bronze with polished natural finish, 10 × 4 × 6 cm
Chalisée Naamani, « I Promised You », 2026, print on Lycra and garment cover, print on leather belt, 175 × 50 cm/120 × 4,5 cm
Garance Früh, Peeling, 2026, shoe, nail, 90 × 16 × 15 cm
Zoe Williams, Oozing O 'petro edit', 2026, cast bronze with polished natural finish and black patina finish, 35 × 5,5 × 1 cm
Zoe Williams, Butter bar (Study in Baroque aggression I), 2026, cast bronze with polished natural finish, 10 × 4 × 6 cm
Leonardo Devito, Bar Centrale, 2026, terracotta, 43 × 47,6 × 9 cm
Ibuki Inoue, Vacances, 2026, oil on canvas, 100 × 80,3 cm
Ibuki Inoue, Loophole, 2026, oil on canvas, 100 × 80,3 cm
Daniel Jacoby, Cathartes VII, 2026, bronze, 37 × 23,5 × 0,4 cm
Romane de Watteville, Off Stage, 2026, lightbox, 86,6 × 100 × 4 cm
Amber Andrews, Cat’s out of the bag, 2024, ceramic (partly glazed), synthetic hair, steel, metal and fabric, 54 × 62 × 40 cm
Anonyme
Photographie de la maquette d'un bonheur du jour de Carlo Bugatti
Entre 1856 et 1940
Épreuve sur papier albuminé contrecollée sur carton de couleur crème
H. 14 ; L. 10,1 cm.
Achat, 1979
© RMN-Grand Palais (Musée d’Orsay) / Hervé Lewandowski